Partner accounts for teams who hire often
Production companies, agencies and AV integrators who book screens through the year should not be starting from a blank quote every time. A partner account sets your rates once, holds stock for you in the weeks everyone wants it, and gives you a name to call instead of a form to fill in.
What a partner account changes
Rates and terms are agreed with you when the account is opened rather than published here, because they follow your volume and the way your year is shaped.
Preferential rates
Standing rates set against your volume and applied to every booking, instead of a fresh negotiation each time a show comes up.
Priority in the busy weeks
Fair season puts every screen in the country under pressure at once. Partner accounts are allocated first when stock is tight.
A dedicated contact
One person who already knows your usual kit list, your delivery windows and which of your shows run late. No queue and no re-explaining.
Terms that suit your finance function
Extended invoice terms agreed when the account is opened, booked against a PO, so nothing has to go through as an expense claim.
An ordering page for your exhibitors
For event organisers: a branded link you hand to your exhibitors. They order the kit they want and pay individually, giving a stand number as they go, so nothing is invoiced back to you.
We set it up at the stand
On exhibitor orders we deliver to the stand and put the screen up. Most exhibitors are not travelling with a crew, and that should not become the organiser's problem on the morning.
Three steps, no phone tag
Apply
Tell us who you are, what you typically hire and roughly how often. An email is enough to start it off.
We go through it together
We look at the volume, the kit you actually use and where your bookings land across the year, then come back with rates and terms.
The account is opened
Rates, invoice terms and your contact are set. From then on you book against the account rather than asking for a quote.
